![]() ![]() Specifically, it analyzes how the author portrays forced displacements experienced by Amerindian societies-who in the name of progress are forced to leave their territories and migrate to peripheral regions in large urban centers-constructing counter-hegemonic discourses in which the voice of indigenous women unfolds in multiple identities, valuing subjectivities traditionally invisible in Brazilian canon literature. The novel Metade Cara, Metade Mscara (2004) allows us to reflect on indigenous identity, since the author brings to the plot aspects of the Potiguara. ![]() ![]() ![]() The article “A construção identitária da mulher indígena em Metade cara, metade máscara (2004), de Eliane Potiguara: estratégias narrativas na construção de uma voz” investigates the strategies used in the identity construction of indigenous women by the writer Eliane Potiguara in her novel “Metade cara, metade mascara” (2004). In Metade Cara, Metade Mscara, Eliane Potiguara (2019: 37) points to alcoholism as one of the roots of indigenous orphanhood when she describes a baby who. This study aims to raise a discussion on the indigenous identity affirmation present in Metade Cara, Metade Mscara (2004), by Eliane Potiguara, and Iracema, by Jos de Alencar, in order to establish a comparative dialogue between them. It’s Wednesday and that means it’s time for yet another #SPRauthorspotlight! Angela Rodriguez Mooney, a PhD Candidate at Tulane, published one of the two articles written in Portuguese in our current issue #SPRVol5. ![]()
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