![]() STEPHEN DEUTSCH presents The Fork in the Road, addressing the relationship between technology and creativity. In doing so, I create the conceptual sound matter for composing plausible sound tracks and soundscapes for film tracks and exhibition spaces. I’m a classical musician by training, and whilst I no longer practice any instrument, I am cataloguing the sounds around me all the time. RINA SHERMANpresents Sound it out, a multi-sensory presentation of the art and the manner of creating soundscapes for films – documentary, ethnographic and fictional – and multidisciplinary exhibitions using a variety of media.Īs a filmmaker, ethnographer and photographer, I am constantly preoccupied with the sounds of everyday life. NIGEL HELYER – The Nature and Culture of Sound: Nigel presents a series of sound-art projects that consider the relationships between sound, memory and place and how we use sounds and narratives to build consensual models of history and identity that transform geographical spaces into cultural places. ![]() ![]() He opens the SOS with a survey of how sound informs all the arts and media, from his perspective as a filmmaker, composer, musician, opera director, photographer and gallery artist. MIKE FIGGISis known as someone who has continually explored alternative strategies for filmmaking – both economic and creative. ![]()
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